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“I Regret Not Signing Simi, Teni” – Don Jazzy Opens Up On Biggest Misses In His Career

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“I Regret Not Signing Simi, Teni” – Don Jazzy Opens Up On Biggest Misses In His Career

Published: Thursday, June 19, 2025 

In a rare moment of candid reflection, Mavin Records boss and music mogul Don Jazzy has admitted to one of the few things he regrets in his decades-long journey through Nigeria’s music industry — not signing powerhouse vocalists Simi and Teni.

The hitmaker, who has helped shape the careers of Tiwa Savage, Rema, Ayra Starr, and countless others, shared his thoughts on missed opportunities during a revealing chat that has since gone viral.

“I like Simi. I didn’t sign her. I wish I did. I like Teni. I wish I did,” he said with disarming honesty.


🎶 Near Misses with Nigeria’s Brightest Stars

Don Jazzy also dropped a bombshell: he had the chance to sign Davido early in the singer’s career but chose to let it pass.

“I had the opportunity for Davido, obviously, but I didn’t because I kind of figured he would be fine,” he explained. And history has proven him right — Davido went on to become one of Africa’s biggest exports.

As for Wizkid, Jazzy revealed he would have jumped at the opportunity, but the Ojuelegba star was already snapped up by Banky W’s EME label at the time.

And then there was Falz the Bahd Guy. Don Jazzy said the deal was close — almost a done deal — but it fell through for undisclosed reasons.


💭 “You Can’t Sign Everybody” – The Reality of a Label Boss

Despite these regrets, Don Jazzy remains philosophical about the nature of the industry.

“At the end of the day, you cannot sign everybody,” he said. “No matter how talented they are, there’s only so much a label can do.”

Still, fans can’t help but imagine how different the musical landscape might have been if Simi’s soulful storytelling, Teni’s vibrant energy, or Davido’s Afrobeats dominance had flourished under the Mavin umbrella.


🔥 Social Media Buzzes Over Don Jazzy’s “Adam and Eve” Tweet

Alongside these revelations, the internet is still buzzing over a cryptic tweet from Don Jazzy earlier this week:

“E no go better for Adam and Eve o.”

The post, dripping with sarcasm and mystery, sent fans speculating wildly about whether it was linked to his career reflections, personal life, or just classic Don Jazzy humor.


🧠 Final Note: Even Kings Have Regrets

Don Jazzy may be a master of spotting talent, but even he admits there are moments he’d like to rewind. Still, his transparency has only deepened the respect fans and industry players have for him.

Because if one thing is certain, it’s this: Don Jazzy didn’t sign everyone — but he still changed the game.

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Crime

Death On Stream: The French Kick Scandal And The Dark Side Of Online Shock Content

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Death On Stream: The French Kick Scandal And The Dark Side Of Online Shock Content

The French Kick Scandal

The internet has always thrived on spectacle. From Jackass-style stunts to today’s TikTok challenges, audiences have long been drawn to the outrageous. But a recent incident in France has pushed that obsession with “extreme content” into deeply unsettling territory — a man died during a livestream on the Kick platform…..CONTINUE READING

Now, the streamer at the center of the storm, 23-year-old Safine Hamadi, is speaking out: “I’m not the one who killed him. None of us killed him.”

The victim, 46-year-old Raphael Graven (better known online as Jean Pormanove), collapsed during a 12-day nonstop broadcast that featured him enduring humiliation and physical challenges. At first glance, the footage seemed like a grim descent into digital exploitation. But Hamadi insists it was all scripted theater — nothing more than paid performance designed to grab clicks and go viral.


The Show That Went Too Far

According to Hamadi, he and Graven weren’t victims or perpetrators but “actors” earning €6,000 a month from the channel’s operator, Owen Cenazandotti. The shouting, the abuse, even Graven’s protests, Hamadi says, were staged for maximum shock value:

“We wanted it to be spectacular… so people would clip the videos, talk about us, create more buzz.”

This claim is partly backed up by prosecutors. An autopsy found no evidence of third-party violence, and Graven himself had previously told investigators he wasn’t being mistreated. On paper, it looks like a tragic death that happened during — not because of — a reckless broadcast.

But does that absolve anyone of responsibility?


Why France (and the World) Is Alarmed

The French government doesn’t think so. Officials announced legal action against Kick, accusing the platform of negligence and failing to protect users from dangerous content. Prosecutors in Paris have also opened a wider investigation into the company’s practices.

Kick, which is headquartered in Australia, hit back with accusations of “political opportunism.” But this fight is about more than one man’s death — it’s about the growing culture of dangerous online stunts, the platforms that host them, and the audiences that reward them.

Kick, often seen as a looser, edgier alternative to Twitch, has been accused before of letting creators push boundaries too far in pursuit of engagement. This incident could become a turning point, forcing regulators to clamp down harder on streaming platforms that thrive on viral chaos.


The Bigger Picture: When Views Trump Safety

What happened to Graven isn’t an isolated case. Around the world, content creators are upping the stakes to grab attention:

  • Eating dangerous amounts of food for “mukbang” streams.

  • Risking injuries in extreme sports challenges.

  • Performing risky pranks that blur the line between entertainment and abuse.

The brutal truth? Algorithms reward extremity. The more shocking the content, the higher the engagement. That creates a dangerous incentive structure where people — sometimes desperate for money, fame, or relevance — put themselves in harm’s way for likes.

Graven’s death forces us to ask: at what cost are we consuming entertainment?


Final Thoughts

Safine Hamadi may be right that he didn’t “kill” his colleague. But the livestreamed death of Raphael Graven is still a tragedy born of an attention economy that thrives on spectacle without boundaries.

The French government vs. Kick showdown isn’t just about one platform. It’s about where society draws the line between performance and exploitation, between entertainment and endangerment.

And until we have those conversations, one thing is clear: the internet will keep rewarding stunts that put human dignity — and sometimes human life — on the line.

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Entertainment

Panic In BBNaija House As Imisi Discovers Alleged ‘Human Head’ In Fridge (Video)

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Panic In BBNaija House As Imisi Discovers Alleged ‘Human Head’ In Fridge (Video)

The Big Brother Naija (BBNaija) Season 10 house was thrown into a frenzy this week after housemate Imisi discovered what appeared to be a human head preserved in a clear jar inside the kitchen refrigerator. The shocking find sparked chaos among the contestants, leaving viewers and fans buzzing with questions about the authenticity of the discovery……CONTINUE READING

 

 

According to reports by Eyesjournals Imisi’s loud scream alerted other housemates, who quickly rushed to the kitchen to witness what she had found. The sight of the strange object sent ripples of fear across the house, with several contestants visibly shaken. Some speculated that it might be a prank orchestrated by Big Brother, while others expressed genuine fear, insisting that the object looked disturbingly real.

Face Your Fear Week

The discovery coincides with the show’s ongoing “Face Your Fear Week” — a challenge designed to test the bravery and emotional resilience of housemates. Over the years, reality television has often used psychological experiments and shock tactics to push contestants to their limits, and many fans believe this latest stunt could be part of that tradition.

Internationally, shows like Fear Factor (USA) and I’m a Celebrity… Get Me Out of Here! (UK/Australia) have long relied on fear-based tasks involving creepy or grotesque items. BBNaija appears to be adopting a similar formula to captivate audiences and keep the drama alive. However, the intensity of this season’s stunt has sparked debate about the ethical limits of reality TV.

Viewer Reactions

The incident quickly went viral on social media platforms including Twitter (X), Instagram, and TikTok, with hashtags like #BBNaija10, #Imisi, and #FaceYourFear trending across Nigeria and the diaspora. While some viewers laughed off the incident as creative entertainment, others criticized the producers, arguing that it could traumatize contestants.

One Twitter user wrote: “Big Brother has gone too far this time. Fear games are okay, but placing a human head in a fridge crosses a line. Real or fake, it’s disturbing.” Another countered: “This is why BBNaija is the king of African reality TV. Nobody knows what’s coming next!”

Ex-Housemate Gigi Speaks Out

In a related development, former Season 10 housemate Gigi Jasmine, who was recently evicted, weighed in on the drama. In an interview with Pulse Nigeria, she described her fellow contestants Faith and Imisi as “the most calculated players” in the house.

According to Gigi, Faith has a unique ability to read personalities and exploit weaknesses for strategic gain. “His ability to trigger reactions from housemates gave him an edge in the competition,” she said. On the other hand, she accused Imisi of staging her behavior for the cameras, suggesting that the fridge incident might have been exaggerated for attention. “She often puts up a fake character in the house. To me, her actions don’t always feel authentic,” Gigi added.

Her remarks have fueled debates among fans, some of whom agree with her analysis, while others argue that Imisi’s reaction was genuine given the shocking circumstances.

Broader Context of Reality TV

The use of props resembling human body parts is not new in global entertainment. For instance, Netflix’s Squid Game: The Challenge and older Japanese game shows have used hyper-realistic objects to create psychological tension. The key difference, however, is transparency: contestants usually expect the unexpected. In BBNaija’s case, the lack of clarity over whether the object was real or fake has left both housemates and viewers unsettled.

Media analysts suggest that stunts like this, while controversial, play a huge role in keeping viewership high. According to Statista, BBNaija remains one of the most-watched reality shows in Africa, drawing millions of viewers from Nigeria, Ghana, South Africa, and the wider diaspora. With sponsorships from multinational brands, the show has a vested interest in pushing boundaries to stay relevant in the competitive entertainment market.

What’s Next for the Housemates?

As of press time, Big Brother has not issued an official statement clarifying the nature of the fridge discovery. Fans are left wondering whether the show will provide answers during the next live eviction or whether the mystery will remain unresolved as part of the Face Your Fear challenge.

Psychologists, however, caution that repeated exposure to extreme shock tactics could impact contestants’ mental health. Dr. Chike Obi, a Nigerian psychologist specializing in media and behavior, noted in a BBC Africa interview on reality television: “The balance between entertainment and emotional safety is delicate. Producers must be careful not to cross into psychological harm.”

Conclusion

Whether real or staged, the discovery of a “human head” in the BBNaija house fridge has successfully reignited conversations about the extremes of reality television. It has kept fans glued to their screens and stirred debates far beyond Nigeria’s borders. As the season continues, one thing is certain — BBNaija remains a cultural phenomenon that thrives on unpredictability, shock, and drama.

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Entertainment

Ayra Starr Claps Back At “Dancing With The Devil” Accusation After Roc Nation Deal

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Ayra Starr Claps Back At “Dancing With The Devil” Accusation After Roc Nation Deal

When it comes to superstition and conspiracy theories, Nigerian pop sensation Ayra Starr seems to attract her fair share. The Grammy-nominated singer, who recently inked a global management deal with Jay-Z’s Roc Nation, has now been accused by a social media user of “dancing with the devil” — and her reply was nothing short of iconic.

It all started after Ayra Starr took to X (formerly Twitter) to joke about her body changes. Posting pictures where her cleavage was more pronounced, she wrote:

“Really dnt knw hw to act with these new tiddiesss.”

For most fans, it was just Ayra being playful and carefree. But one American woman decided to turn it into something darker. The woman claimed Ayra’s reference to her body was tied to her Roc Nation deal, insisting that “One thing about working with Jay-Z, you gotta dance with the devil baby… literally.”

Without missing a beat, Ayra Starr fired back with a sharp response:

“Back to sender babyyyy.”

Why the Backlash?

Ayra Starr, like many African artists who break into global markets, has been targeted by conspiracy theories linking fame to occult practices. Ever since she signed her five-year Roc Nation contract, social media has been buzzing with rumours — from wild claims that she “sold her soul” to restrictions on her personal life, including an alleged ban on dating or starting a family during her contract.

Ayra has already dismissed those rumours, making it clear she’s focused on her career and music, not on the noise. Still, it reflects a recurring theme in the entertainment industry: when artists, especially women, achieve success quickly, critics often search for sinister explanations instead of acknowledging their talent and hard work.

The Bigger Picture

This episode also highlights the double standards women in music face. While male artists can brag about wealth, lifestyle, or even their bodies without scrutiny, women are often policed for self-expression. Ayra’s playful comment about her breasts suddenly became a “spiritual debate,” showing how society tends to sexualize, judge, or demonize women for things men easily get away with.

Final Thoughts

Ayra Starr’s rise has been meteoric, and with her Roc Nation backing, she’s poised for even greater global dominance. But as her response shows, she’s not just talented — she’s witty, fearless, and refuses to let baseless accusations distract her.

At the end of the day, her clapback — “Back to sender babyyyy” — is more than just a reply. It’s a message to critics everywhere: she’s not here for the drama; she’s here to shine.

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